视频简介
独来独往的工厂女工汉娜（萨拉·波莉 Sarah Polley 饰），由于听力不好而总是戴着助听器。不善交际的她在工作上一直任劳任怨，终于在数年后得到了第一个假期。然而出乎众人意料的是，一时间具足无措的她居然主动放弃了这个难得的机会，自愿前往一间海上石油钻井平台，照顾一位在事故中被严重烧伤暂时失明的男人约瑟夫（蒂姆·罗宾斯 Tim Robbins 饰）。 与世隔绝、荒凉枯燥的钻井平台，两颗饱受痛苦往事折磨的孤独灵魂，一段交织在秘密与真相间的微妙亲密关系。在汉娜的悉心照料下，约瑟夫终于敞开心扉，与此同时，汉娜也打破沉默，向他讲述起自己不为人知的凄惨遭遇。©豆瓣。2009年休·杰克曼作为World Vision大使访问埃塞俄比亚时，遇到了咖啡农Dukale，当看到这些咖啡农仅仅只能依靠种植咖啡勉强维持生计时，休·杰克曼决心做出改变，给予他们协助，这便有了休·杰克曼在联合国所做的演讲，也有了慈善咖啡馆Laughing Man，而这一切都只是为了兑现当初对Dukale的一个承诺。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。
